This 58th Biennale di Venezia the initiative GLASSTRESS by Adriano Berengo returns for the sixth time to push artists and designers to explore glass.
If urban landscapes no longer move us, islands seem to us like an earthly paradise, perhaps lost in a flow of climate change. While nature is at risk, the human is still very much alive. That is what the artists, designers and photographers interviewed and invited into these extended pages of TLmags 31st print edition translate with their creations and in their simultaneously documentary, critical and poetic gaze, between the materiality of our planet and the fragility of the life that remains for us.
This 58th Biennale di Venezia the initiative GLASSTRESS by Adriano Berengo returns for the sixth time to push artists and designers to explore glass.
TLmag talks to the founder of the Luigi Pericle Archive, Greta Biasca-Caroni, about bringing Swiss painter Luigi Pericle’s work and message back into the public eye after nearly 50 years of seclusion.
Director of YMER&MALTA, Valérie Maltaverne, speaks to TLmag about her role as curator for their exhibition that is currently on show in the Noguchi Museum.
Guest curator Chiara Parisi talks to TLMag about her curatorial practice, creating the exhibition La Source in Villa Carmignac on the Porquerolles island.
Perttu Saksa speaks to TLmag about his photography series Maps of Essence, that contemplates our relationship to natural energy sources.
Renowned artist David Huycke discusses his unique practice in the technique of granulation and the “risky business” of silversmithing in the 21st century
Subverting the negative connotations surrounding migraines, Kustaa Saksi turns his chronic suffering into colourful tapestries in his series ‘First Symptoms’
We talk with Finnish artist Man Yau about her 6 week residency at Shigaraki Ceramic Cultural Park and subsequent exhibition, ‘Shiga-Love and Magic Carpets’
Award-winning photographer Ken Schluchtmann drove over 25 000km along Norway’s National Scenic Routes to capture both ‘Architecture and Landscape’