Anders Herwald Ruhwald on what drew him to the work of Swedish modernist ceramicist, Carl-Harry Stålhane, and how his current exhibition, “Ruhwald vs. Stålhane”, explores this relationship through clay and glazing. The exhibition, curated by Love Jönsson, is on view at the Rian Design Museum through April 24th.
In the Spring of 2020, at the height of global lockdowns, Marc Fuestel interviewed Kenya Hara about one of his new projects: High Resolution Tour. With its subtle images and thoughtful, personal texts, High Resolution Tour was just the thing the world needed to be absorbed by and reflect upon – putting forward essential questions about reconsidering how and why we travel.
Studio Wieki Somers (Wieki Somers and Dylan van den Berg) were invited to curate the design section of The Roaring Twenties, an exhibition which explores parallel themes between the 1920s and 2020s in Design, Art and Fashion.
The exhibition, Inaspettatamente, offers an exciting opportunity to see a vast selection of contemporary art held in the private collection of Brussels-based collector, Frédéric de Goldschmidt.
For the A/W 2020 TLmag34 – Precious: A Geology of Being, Tracy Lynn Chemaly reported on four innovative architectural firms using traditional clay bricks in pioneering architectural projects. Economical, environmentally stable, and aesthetically eye-catching, it’s time to put this material back in the spotlight.
At the confluence of textile design and neo-materialism, designer Sophie Rowley fashions limited-edition furnishings out of upcycled denim, but it might seem that her chosen medium is marble.
The Mingei International Museum in San Diego, California, re-opened its doors to the public in September 2021 after an extensive 3-year renovation led by architect Jennifer Luce, principal of Luce et studio. With its dynamic, welcoming space & contemporary vision, the museum shines a light on the beauty of craft and the handmade.
For our A/W 2020 issue, TLmag34: Precious – A Geology of Being, Herve Perdiolle writes about meeting artist Richard Long in India in the 1990s.
With “Contemporary Archeology” and “Blue Mythology,” the new online design platform, Metamorphosis, offers a new approach for buyers and design lovers to engage with beautiful design objects in a refined and exciting way.
The Nigerian-born, multidisciplinary artist Otobong Nkanga, brings an open mind and positive energy to her practice that seeks to build a framework for a better future. Her awareness and sensitivity towards environmental and social issues is the essence of her work.
Noé Duchaufour-Lawrance writes on creating Made In Situ, a ceramic collection inspired by the geography, terroir and beauty of Portugal.
Spanish artist Miquel Barceló creates clay sculptures, installations and films inspired by his time in Mali and encapsulating a movement toward something ecological and human.
