From the nearly 18,000 objects in its collection, Hasselt Fashion Museum selected 170 items of clothing for their latest exhibition. Applying the principles of object-oriented research, the museum navigates through various codes to crack their language: form, fabric, vanitas, identity, and stories.
New York based curator and writer Glenn Adamson navigates through the decades-long practice of Belgian ceramicist Piet Stockmans in his latest essay as part of TLmag 33 print edition: The New Age of Humanism.
TLmag speaks to Brussels-born Valentine Witmeur, who made herself known as an influencer before turning to knit sweater design.
Romane Sarfati, CEO of Sèvres – Cité de la Céramique, sits down with TLmag to share her vision for the centuries-old cultural institution and the future of porcelain.
Åsa Jungnelius is not one to shy away from a challenge. Expressive and visually engaging as ever, her latest exhibition at Stene Projects effortlessly brought together distinctly different materials and formats to tell an ephemeral story.
This year the DESIGNART TOKYO festival takes place from 23rd of October until the 3rd of November and boasts an avant-garde space.
Hermès, a house of objects since 1837, presents its sixteenth métier; Beauty. This first collection, Rouge Hermès, is devoted to the beauty of the lips.
The Covid-19 restrictions caused the Dutch Design week to take place digitally, which made Contextual Design Students take matters in their own hands.
Stanislas Colodiet, the new director of CIRVA Marseille, explains how the centre distinguishes itself by giving new resources to creatives.
Next to being the director of VOLTA art fair, Kamiar Maleki is a collector, curator and patron with over 15 years of experience in the field. TLmag caught up with Maleki to learn about how he got his start, what makes a “good” art fair and how he’s navigating through the now online art world.
Spread over the gallery’s three spaces, the forthcoming exhibition “Ma Normandie” at Galerie Lelong & Co. in Paris presents different work by David Hockney.
Commemorating 13 years since Noa Eshkol’s passing, TLmag revisits Gunia Nowik’s personal journey to Eshkol’s historic home in Holon (Israel) which was – and still is – the center of collaborative study for the Eshkol-Wachman Movement Notation (EWMN) and Eshkol’s dance repertoire.
