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Ann Beate Tempelhaug: I should have not used blue?

Mar 28, 2025

The Fondazione Officine Saffi presents a solo exhibition of works by Norwegian artist Ann Beate Tempelhaug titled, I should have not used blue? The exhibition is on view through May 31, 2025.

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Ann Beate Tempelhaug transforms large ceramic surfaces into glittering, moody and magnetic landscapes. Often informed by the particular light and majestic landscapes of her native Norway, Tempelhaug cites Norwegian Romantic painting tradition as an important source of inspiration, including the work of Johan Christian Dahl and Edvard Munch. As she writes, “I am, and I think I always have been, very conscious and infected by light. And especially in the past decades I have been very focused on keeping it the most important value in my life and also in my work.”

The challenge of creating an ethereal abstract painting onto a blocky ceramic surface is no small feat. The liquid pigments must be constantly played with and experimented with in order to find the right luminescence and result. This is a process that she is constantly developing with her husband, Eirik Gjedrem, whose contribution is duly noted on the backside of the ceramic supports through a portrait and dedication. For thirty-years Tempelhaug has pushed the boundaries of ceramic as a medium, but also of landscape painting. Letting go of the control and certainty and letting the unknown find its way into her work is what makes it so surprising and captivating. “[I want] to be embraced by warmth and light; The sensation of being inside everything and capturing this in my work,” says the artist.

The Fondazione Officine Saffi, founded in 2011 by Laura Borghi, is a non-profit foundation that focuses on contemporary international ceramics. With support for research, experimentation, exhibitions and educational activities, the foundation brings important attention to the medium and its diverse uses in contemporary art. The foundation commissioned most of the work presented in their Milan exhibition space. For her solo show at the foundation, the first show in Italy dedicated to her work, Tempelhaug channeled her love of Leonardo da Vinci, whose famous “The Last Supper” was a lifelong dream of hers to see and experience. While the Nordic light is rooted in her being, she has always been inspired by the colors and light of Italian Renaissance painting and its architecture, which she brought into several of these works on view at the foundation.

Spazio Nobile has been working with Ann Beate Tempelhaug since 2020. In 2023, the gallery presented Nord, a solo exhibition of her work.

I should have not used blue?, is on view at the Fondazione Officine Saffi through May 31, 2025.

Fondzione Officine Saffi

@officinesaffi

Spazio Nobile Gallery

@spazionobilegallery

Ann Beate Tempelhaug in front of her work, Mirage. Photo: Lisbeth Finsådal
Ann Beate Tempelhaug. I should have not used blue?, installation view at Fondazione Officine Saffi. Courtesy Fondazione Officine Saffi and the artist; ph. Alessandra Vinci
installation view at Fondazione Officine Saffi. Courtesy Fondazione Officine Saffi and the artist; ph. Alessandra Vinci
installation view at Fondazione Officine Saffi. Courtesy Fondazione Officine Saffi and the artist; ph. Alessandra Vinci
installation view at Fondazione Officine Saffi. Courtesy Fondazione Officine Saffi and the artist; ph. Alessandra Vinci
Ann Beate Tempelhaug, Colour of heart, 2025, Grès, porcellana, smalto / Stoneware, porcelain glaze. Courtesy Fondazione Officine Saffi e l’artista / Fondazione Officine Saffi and the artist; ph. Alessandra Vinci
Ann Beate Tempelhaug, Heart to heart, 2025, Grès, porcellana, smalto / Stoneware, porcelain glaze. Courtesy Fondazione Officine Saffi e l’artista / Fondazione Officine Saffi and the artist; ph. Alessandra Vinci
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