Avoiding the pitfalls of nostalgic recollection, TLmag takes a contemporary look at a fledgling group of many designers trained at Design Academy Eindhoven (DAE), who now call Amsterdam home.
Avoiding the pitfalls of nostalgic recollection, TLmag takes a contemporary look at a fledgling group of many designers trained at Design Academy Eindhoven (DAE), who now call Amsterdam home.
At the New York museum, an exhibition titled The Senses: Design Beyond Vision experiments with the way touch, smell, taste and sound can affect the perception of an object
Opening this June, the Giacometti Institute features a reconstruction of the artist’s studio and will display artworks never shown to the public before
Brussels’ Collectors Gallery is presenting Zero Carat, a line of sculptural, fantasy-like jewellery devised by the French polymath
In A Furnace in Marseille, the Fondazione Querini Stampalia and Le Stanze del Vetro are showcasing the work of 17 artists in residence at the French glassmaking institution
In Le Notti Bianche, a new limited-edition book by Skira Editore, the Japanese photographer explores the history of several celebrated opera houses throughout Italy
With New African Photography III, Red Hook Labs and Nataal bring to Brooklyn the work of six female artists who explore the blurred boundaries of gender, diaspora and representation
TLmag’s eclectic selection spotlights a group of Dutch and international creatives who were drawn to the allure of Amsterdam after graduating from Design Academy Eindhoven
Sophie Whettnall uses her own body to measure out the abstract lines. She calls these works “mental structures.” Let’s pay a visit to her atelier in Brussels
Under the Roca Recicla initiative, the award-winning Catalonian restaurant and design studio Andreu/Carulla turned one day of polystyrene waste into a limited-edition stool
At the FuturDome during this year’s Milan Design Week, a set of projects from Studio foam, Aectual, Federico Pazienza and Studio Diederik Schneemann played tricks on us.
During this Milan Design Week, several exhibitions asked visitors to interact with furniture through a screen. What does that add to the in-person experience?