The Sarah Myerscough Gallery presents Eleanor Lakelin’s solo exhibition Unearthed, which explores the ultimate and classic vessel form.
French interior architect Pierre Yovanovitch presents his first furniture brand, ‘Pierre Yovanovitch Mobilier’. Made in collaboration with Europe’s finest craftspeople, the pieces within the collection combine elements of the classic and characterful, with an eye for unexpected detail.
The exhibition Textilités at the Old Slaughterhouses of Mons brings together over 60 works in an attempt to explore the meaning and pertinence of textiles.
British designer Sebastian Cox has built a successful furniture company around the idea of a tightly controlled artisanal production model that cuts out the middleman and allows nature to inform every step of the process.
Galerie Templon presented ‘Living Inside’, a solo exhibition by Japanese artist Chiharu Shiota. Featuring a group of new works, both intimate and delicate, the exhibition explored the notion of home and the fragmentation of our daily reality.
Front Design is known for creating playful, avant-garde objects. Shifting between research-driven and experimental projects, the eponymous Swedish design studio embraces tactile and surprising elements to lend their designs a sense of magic.
Amy Hilton reflects on Wolfgang Tillmans’ work and show ‘Today Is The First Day’ at WIELS in Brussels, a show which looks at the complexities of this world.
TLmag speaks to Belgian-based artist Nicolas Delprat on his recent show ‘Appearances of Light’ at Michèle Schoonjans Gallery.
“No place in the world would be alien to Sheila Hicks. Her particular sensitivity absorbs and selects, from each voyage of discovery, experiences, and visions that she stores in her mind’s eye for some future use.” Beyond Craft: The Art Fabric
Ellora, in close proximity to Aurangabad in India, holds thirty-four cave temples cut into the vertical rock face of the Charanandri Hills.
A contemporary bench by Beauty Ngxongo, with a backrest woven in the traditional Zulu style, brings an age-old South African craft into the 21st century.
Malian artist Abdoulaye Konaté invents a poetic, geopolitical and cosmogonic language through compositions made of fragments of coloured textiles.